How Play Thinks about Logo Development

A perspective shaped by building brand identities meant to last.

Seen here is the amfAR logo at their annual Cannes Gala in 2025. Player originally designed the logo in 1998.


Our Point of View

A logo is not a campaign.
It is not a test.
And it is not a reaction to trends or audience commentary.

At Play, we believe logo development is a foundational decision—one that should last for decades, not quarters. Our work is rooted in the idea that a brand is built from the inside out. The audience informs the company, but the company defines the brand.

Marketing adapts. Brand endures.

What We Do (and what we don’t do)

We do not A/B test identity.
We do not crowdsource core brand decisions.
We do not design logos to chase short-term approval.

Instead, we:

  • Diagnose what is fundamentally broken or missing

  • Clarify what the organization truly stands for

  • Design identity systems that scale, stretch, and hold up over time

Our goal is to remove future problems—not create ongoing ones.

Why Logos Fail (and why we’re brought in)

Over decades of work, we are most often asked to redesign logos for one of these reasons:

1. Internal Misrepresentation

Professional services and institutional brands where hierarchy, culture, or values were unintentionally undermined by typography, naming structure, or tone.

2. Category Confusion

Organizations that had outgrown a logo that felt juvenile, casual, or misaligned with their true mission, authority, or civic role.

3. Lack of Ownability

Arts, cultural, and philanthropic brands whose identities were generic, interchangeable, or visually anonymous, offering no lasting signal of purpose or provenance.

4. Legibility and Functionality Issues

Construction, development, and operational brands living with marks that failed in real world use on signage, vehicles, environments, or distance based applications.

5. Naming and Gravitas Problems

Public facing organizations whose abbreviated or internally focused naming stripped away meaning, place, or authority. In these cases, clarity and restraint were more powerful than cleverness.

In every case, the redesign was not aesthetic. It was corrective.

The Result: Logos That Last

The brands we build or rebuild share a common outcome:

  • They are still in use years, often decades, later

  • They do not require constant refreshing

  • They scale across vendors, applications, and media

  • They carry appropriate weight for their industry, audience, and ambition

In several cases, these identities have become part of the physical fabric of their cities or institutions, appearing on campuses, infrastructure, civic spaces, vehicles, and long term assets.

These are not small or speculative brands.
They operate in education, aviation, economic development, conservation, hospitality, professional services, construction, finance, philanthropy, and the arts.

They require credibility.
They require restraint.
They require decisions that hold up.

Brand vs. Marketing (a necessary line)

We believe this distinction is critical:

Brand is a declaration of who you are.
Marketing is how you express that declaration.

Marketing should be tested, optimized, and adapted.
Brand should be intentional, consistent, and protected.

When identity is treated as provisional, organizations accumulate brand debt. When done correctly, identity becomes an asset that works quietly over time, building brand equity and supporting a stronger bottom line.

Audience Participation and Brand Activation

Strong brands do not ignore their audiences. They create space for them.

Once identity is established, organizations can design brand activations, campaigns, and experiences that invite participation. In these moments, the audience may shape expression, share stories, and even influence how the brand comes to life in culture.

But this participation happens within a defined framework.

The foundation remains intact. The identity does not shift with each interaction. Instead, it provides a stable structure that allows the audience to engage confidently and creatively.

When the core is clear, activation becomes stronger.
When the core is provisional, participation creates confusion.

Our Philosophy, Proven Over Time

Play’s approach is shaped by decades of hands-on brand work across impactful, well-established organizations. We have redesigned identities that failed under real-world pressure—and created new ones that were built correctly from the start.

This philosophy is not theoretical.
It is practiced.
It is proven.
And it is why our logos last.

Some projects call for quick experimentation and tactical expression.
For foundational identity work intended to last, this is how we think about that process.